Wonder
A boy with a congenital facial deformity and many plastic-surgery scars (Jacob Tremblay) enters public school for the first time at the age of 10, where he is met with a mixture of pity, confusion, fear and hostility. Adapted by Steven Conrad, Jack Thorne and director Stephen Chbosky from R.J. Palacio’s novel, the movie’s pro-tolerance, anti-bullying message is more than a little ham-handed, but it’s redeemed by Chbosky’s delicate direction and the honest performances he draws from everybody: Tremblay, certainly, but also Julia Roberts and Owen Wilson as his parents (and never better), Izbela Vidovic as his sister, Noah Jupe as his first friend at school, Mandy Patinkin as his principal. Jupe especially stands out in the movie’s best moment, when he remembers his own callous, hurtful insensitivity.
The film feels like the work of someone who spent his entire life locked in a dark room, only learning about human nature through the movies.
Published on 11.30.17
This story of the Nativity as seen through the eyes of the animals involved seems like a clever idea, but the execution leaves something to be desired.
Published on 11.30.17
The story of how Charles Dickens came to write A Christmas Carol in 1843 strikes false note virtually every minute.
Published on 11.30.17
The usual Pixar polish makes the movie vividly colorful, exquisitely textured and gorgeous to behold, but it keeps being dragged down by its shortcomings.
Published on 11.23.17
This episodic coming-of-age movie seems ever on the verge of sliding into sketch comedy, but director and Sacramento native Greta Gerwig’s emotional generosity toward all her characters keeps pulling it back.
Published on 11.23.17