Wonder Wheel
In 1950s Coney Island, a young woman (Juno Temple) shows up on the doorstep of her estranged father (Jim Belushi) and his second wife (Kate Winslet), fleeing from her mobster ex-husband after turning state’s evidence. Writer/director Woody Allen is near the top of his game in terms of the performances he draws from his cast, especially Temple (someone to watch) and Winslet (never sharper or braver), and including Justin Timberlake as a lifeguard attracted to Temple while having an affair with Winslet. But the acting and Vittorio Storaro’s sun-splashed photography can’t compensate for Allen’s tiresome return to his most distasteful theme: having inconvenient people murdered and getting away with it—Crimes and Misdemeanors, Match Point and now this. It’s well done, but unpleasant and unsatisfying.
Gary Oldman blubbers and bellows from under wads of makeup as Winston Churchill in this lifeless biopic by Atonement director Joe Wright.
Published on 12.14.17
With a cast that includes Morgan Freeman, Tommy Lee Jones and Rene Russo, we might have expected more than the standard geezer-fest out to snag seniors’ spending money—but as it happens, we don’t even get that much.
Published on 12.14.17
The film clearly holds a weird level of affection for The Room, while stacking the cast with a This is the End-style comedy ensemble.
Published on 12.14.17
Playing the title character, Denzel Washington simultaneously anchors and elevates this solid if obvious legal drama, showily disappearing into the title role of a sad-sack civil rights-era relic getting his first taste of temptation.
Published on 12.07.17
The film feels like the work of someone who spent his entire life locked in a dark room, only learning about human nature through the movies.
Published on 11.30.17