The Greatest Showman
Hugh Jackman stars as 19th century impresario P.T. Barnum—a fascinating character whose real life and career are of scant interest in the movie as written by Jenny Bicks and Bill Condon and directed by the unready Michael Gracey. Then again, Barnum made his fortune peddling hoaxes to a gullible public, and he might be amused by how the movie runs the same scam. Jackman’s musical chops are real enough—ditto those of Zac Efron, Zendaya and others—but you can’t make a first-rate musical with third-rate songs, and these (by Benj Pasek and Justin Paul, way off their game) are utterly humdrum. Any real dancing is undermined by glitzy CGI; we don’t know what’s real and what’s phony, so we assume it’s all faked. A miscast and unappealing Rebecca Ferguson as soprano Jenny Lind sinks the movie even further.
This franchise ran out of steam halfway through the credit crawl on the first movie, and there’s been nothing but garbage-in-garbage-out since then.
Published on 01.04.18
Although Margot Robbie is a lock to win the Best Actress Oscar, she only delivers more of the vacuum-sealed charisma that she brought to ‘Suicide Squad.’
Published on 01.04.18
What starts out as a routine, mildly amusing road movie for likable stars grows in the telling winds up as one of 2017’s more pleasant surprises.
Published on 01.04.18
Impeccably mounted but dramatically disjointed, the film is a production design triumph with a shortage of substance, and only strong performances keep the film from falling apart.
Published on 12.28.17
The first half is sharp-witted fun, but the film grows increasingly turgid and tiresome in the second half.
Published on 12.28.17