The Glass Castle
Two free-spirited parents (Woody Harrelson, Naomi Watts) raise four children in a most unconventional way, first as road-vagabonds camping out at night, then in the father’s ramshackle West Virginia home town. Director Daniel Destin Cretton (co-writing with Andrew Lanham) brings gossip columnist Jeannette Walls’ memoir to life in vivid if occasionally exasperating fashion, time-hopping back and forth among Walls’ adulthood (played by Brie Larson), childhood (Chandler Head) and adolescence (Ella Anderson). Cretton and Harrelson portray Walls’ father as an irresponsible, self-deluded, emotionally abusive, drunken blowhard—which tends to make her retrospective affection for him look like a case of Stockholm Syndrome. Still, it’s an unusual story unusually well-told, and performances are first-rate. J.L.
Maybe the story makes sense at 4,250 pages. At 95 minutes it’s just a messy sci-fi-horror-fantasy salad.
Published on 08.17.17
When their town’s corrupt mayor sets out to transform their beautiful park into a grotesque money-grubbing tourist trap, the squirrels (voiced by Will Arnett and Katherine Heigl) and their animal pals swing into action to thwart his nefarious plans.
Published on 08.17.17
An Inconvenient Sequel amounts to a monotonous minister preaching to a bored choir.
Published on 08.17.17
This intimate and emotionally affecting documentary from director Amanda Lipitz follows several senior girls on the step dance team at Baltimore Leadership School for Young Women.
Published on 08.17.17
A mother (Halle Berry) sees her son being kidnapped from a fairground, and roars off in hot pursuit, in what is basically a one-character, mama-bear version of Taken.
Published on 08.10.17