Sex and the City 2
Carrie Bradshaw (Sarah Jessica Parker) and her pals (Kim Cattrall, Kristin Davis, Cynthia Nixon) take an all-expenses-paid holiday to a luxury hotel in Abu Dhabi. With nearly everyone married now (except Cattrall’s ever-single Samantha), writer-director Michael Patrick King can’t explore the dating scene, so he just changes the scenery. The result is not enough sex, not enough city and hardly any story at all. Instead, King wallows in the clothes-and-shopping fetishes of the HBO series’ loyal audience; where the show was once about the hopes and dreams of the characters, now it’s more concerned with the fantasies of its viewers. The dialogue, once the show’s crown jewel, is tired and forced; Parker’s narration slips into banality and never struggles free, while even Cattrall’s quips have grown lame.
When the king of ancient Persia is assassinated, his adopted son (Jake Gyllenhaal) is accused of the crime and goes on the run with a princess/priestess (Gemma Arterton).
Published on 06.03.10
A music company executive (Jonah Hill) has to fly to London to escort a notoriously unreliable rock star (Russell Brand) to a concert.
Published on 06.03.10
The Final Chapter for the lovable green ogre (voice by Mike Myers) ends on a high note, thanks to a script by Josh Klausner and Darren Lemke.
Published on 05.27.10
That it’s called “a Banksy film” could mean a directing credit for the adored, elusive British street artist.
Published on 05.27.10
Are rhetorical questions and tritely ironic old-movie riffs, used to bracket talking-head torrents of rehashed old news, at all viable anymore in the making of effective political documentaries? Filmmaker Alex Gibney clearly thinks so.
Published on 05.27.10