Prince of Persia: Sands of Time
When the king of ancient Persia is assassinated, his adopted son (Jake Gyllenhaal) is accused of the crime and goes on the run with a princess/priestess (Gemma Arterton), the guardian of a magic dagger than can turn back time. Just when you’re ready to dismiss any movie based on a video game, along comes one that really works. The story is stuff and nonsense, but writers Boaz Yakin, Doug Miro and Carlo Bernard juice it up with some good dialogue and comic relief for Alfred Molina as a desert rapscallion. Director Mike Newell keeps spirits high, though he relies too much on Cuisinart editing and CGI, denying us the pleasure of a well-staged action scene (maybe he or his actors couldn’t handle them). It’s an amusing throwback to campy 1940s Technicolor adventures like Cobra Woman and Arabian Nights.
Carrie Bradshaw (Sarah Jessica Parker) and her pals (Kim Cattrall, Kristen Davis, Cynthia Nixon) take an all-expenses-paid holiday to a luxury hotel in Abu Dhabi.
Published on 06.03.10
A music company executive (Jonah Hill) has to fly to London to escort a notoriously unreliable rock star (Russell Brand) to a concert.
Published on 06.03.10
The Final Chapter for the lovable green ogre (voice by Mike Myers) ends on a high note, thanks to a script by Josh Klausner and Darren Lemke.
Published on 05.27.10
That it’s called “a Banksy film” could mean a directing credit for the adored, elusive British street artist.
Published on 05.27.10
Are rhetorical questions and tritely ironic old-movie riffs, used to bracket talking-head torrents of rehashed old news, at all viable anymore in the making of effective political documentaries? Filmmaker Alex Gibney clearly thinks so.
Published on 05.27.10