Premonition

A woman (Sandra Bullock) is told that her husband (Julian McMahon) has been killed in a car crash—but the next day, he’s still alive, then the day after that he’s dead again, until the wife has to resort to a cheat-sheet to keep things straight. You may want to do the same, assuming you stay around long enough for director Mennan Yapo to drag you across the shaggy-dog finish line of Bill Kelly’s unsatisfying script. Poor Bullock, trapped in another time warp, as she was in last year’s The Lake House. But it doesn’t work this time as it did then; Lake House’s script (by Pulitzer playwright David Auburn) was character—rather than gimmick—driven, and Bullock had a proven rapport with Keanu Reeves (even when they weren’t on screen together) that she doesn’t share with McMahon (even when they are).