Make the monster sing

After Mel Brooks’ musical-theater adaptation of The Producers proved to be a big hit, the creators looked around for another movie to bring to stage, and looked no further than another one of Brooks’ beloved films: Young Frankenstein. “Make the monster sing,” they thought. And they did, with mixed results.

When the touring company version of Young Frankenstein came through town via Sacramento’s Community Center Theater a couple of years ago, it was a pleasant diversion filled with the film’s famous lines. But frankly, it seemed devoid of any real magic with lyrics that were hard to decipher, sets that seemed dwarfed and characters who never came to life.

But now along comes Sacramento’s Runaway Stage Productions, which presents the story in a more intimate setting with exciting leads, striking sets and a great live orchestra. This community theater manages to breathe life and soul into the story and the big ol’ loveable green lug. The result is this Young Frankenstein comes alive with funny lines, some clever song lyrics, talented musical actors, and creative costumes and sets. And Dr. “Frankensteen.” And Igor the hunchback. And Frau Blücher (neigh!). And Big Knockers. And, of course, the “Puttin’ on the Ritz” dance finale.

The gifted cast really delivers the goods: David Holmes is a very enthusiastic Frankenstein; Amy J. Jones is an enticing Inga; Eduard Arakelyan is the funny sidekick, Igor; Ruth Phillips is the fierce Frau Blücher; Jennifer Zimny is a funny, frigid fiancée; and Michael Cross is a most endearing Monster.

Outstanding musical numbers include “Please Don’t Touch Me,” “Roll In The Hay,” “He Vas My Boyfriend” and “Deep Love”—all with lyrics that are layered with double entendres (as is most of the dialogue).

While Young Frankenstein is still not up there with The Producers in musical-theater quality, Runaway Stage makes this one mad scientist’s lab worth visiting.