Home Again
Recently turned 40 and separated, a woman (Reese Witherspoon) moves back to Hollywood with her two daughters. Complications arise when three aspiring filmmakers (Pico Alexander, Nat Wolff, Jon Rudnitsky) move into her guest house and her husband (Michael Sheen) turns up looking to reconcile. Writer-director Hallie Meyers-Shyer, the daughter of Nancy Meyers and Charles Shyer, turns out exactly the kind of slick, shallow comedy that Mom and Dad used to make—glib rather than funny, coy rather than subtle, leaning heavily on the kind of talent it needs but doesn’t deserve, and all sparkling with a spotless gleam that makes the Hallmark Channel look like film noir. The story moves with the predictable monotony of a Swiss clock that cuckoos every five minutes, and cheap jokes and wasted actors abound. J.L.
This is about as self-contained as a movie can get, but it’s also a stupendously tense, disturbing and powerful piece of filmmaking, with Darren Aronofsky in full command even as the world seems to spin off its axis.
Published on 09.28.17
Peter Bratt directs this passionate but by-the-numbers documentary about Dolores Huerta, the labor leader who helped form the nation’s first farm workers union in the 1960s.
Published on 09.28.17
Jonathan Dayton and Valerie Faris (Little Miss Sunshine; Ruby Sparks) direct this cardboard biopic about the nationally televised tennis match between Billie Jean King and Bobby Riggs.
Published on 09.28.17
As usual with this kind of garbage, the only suspense comes from wondering who’ll get it next, and how.
Published on 09.28.17
The movie covers familiar ground but is well done, the basic story is invincibly compelling and Jake Gyllenhaal proves once again that he’s one of the most adventurous actors in movies today.
Published on 09.28.17