Get Him to the Greek
A music company executive (Jonah Hill) has to fly to London to escort a notoriously unreliable rock star (Russell Brand) to a concert at Los Angeles’ Greek Theatre, but the singer’s insane sex-drugs-rock-'n'-roll lifestyle keeps veering off the itinerary. Writer-director Nicholas Stoller’s script sets a new standard for stupid—he apparently thinks it’s possible to travel from L.A. to New York in 45 minutes (either that or he thinks we’ll go along with it because we’re just having so much fun). The movie is like being stuck on a field-trip bus with an obnoxious ninth-grade class clown who won’t shut up and get out of your face—you wish he’d just leave you alone, but some of the things he says and does really are pretty funny. Maybe one in 50. Best performance comes from Sean “P. Diddy” Combs as Hill’s Type A boss.
Carrie Bradshaw (Sarah Jessica Parker) and her pals (Kim Cattrall, Kristen Davis, Cynthia Nixon) take an all-expenses-paid holiday to a luxury hotel in Abu Dhabi.
Published on 06.03.10
When the king of ancient Persia is assassinated, his adopted son (Jake Gyllenhaal) is accused of the crime and goes on the run with a princess/priestess (Gemma Arterton).
Published on 06.03.10
The Final Chapter for the lovable green ogre (voice by Mike Myers) ends on a high note, thanks to a script by Josh Klausner and Darren Lemke.
Published on 05.27.10
That it’s called “a Banksy film” could mean a directing credit for the adored, elusive British street artist.
Published on 05.27.10
Are rhetorical questions and tritely ironic old-movie riffs, used to bracket talking-head torrents of rehashed old news, at all viable anymore in the making of effective political documentaries? Filmmaker Alex Gibney clearly thinks so.
Published on 05.27.10