Fruitvale Station
Writer-director Ryan Coogler's first feature is an auspicious debut, portraying the last day of Oscar Grant (Michael B. Jordan), the Hayward man who was shot dead in an altercation with police officers for Bay Area Rapid Transit in Oakland on New Year's Day 2009. The shooting sparked protests, both peaceful and violent. Coogler's movie is a protest, too, but more in sadness than anger. It's that rarest of movies (these days, anyhow): one that's “based on a true story” and actually has the ring of truth (some names are changed for either dramatic or legal reasons). Jordan's performance is muted but earnest and strong, and there's fine work from the supporting ensemble, especially Melonie Diaz as Grant's girlfriend Sophina, Octavia Spencer as his mother, and little Ariana Neal as his 4-year-old daughter.
It's clear that at one point The Wolverine had ambitions to be a character-driven superhero film, but all coherence and motivation were apparently bled out in pre-production.
Published on 08.01.13
This is writer-director Rama Burshtein's first feature, so it's no surprise that her intentions are hard to ascertain.
Published on 08.01.13
Writer-director Maggie Carey indulges the dubious ambition of making a sex comedy for girls just as crude and dimwitted as the boy-themed comedies.
Published on 07.25.13
The neon-drenched style and impeccably composed ultraviolence are even more pointless here than in Drive, but Only God Forgives is the more hypnotic and challenging film.
Published on 07.25.13
Director Guillermo del Toro and his co-writer Travis Beacham indulge their inner child, the one who always wanted to dress up in a Godzilla costume and kick the bejesus out of an elaborate scale-model city.
Published on 07.25.13