Death Wish
A doctor (Bruce Willis), distraught after a gang of home invaders leaves his wife dead and his daughter in a coma, and fearing the police investigation is going nowhere, embarks on his own anti-crime crusade. Writer Joe Carnahan and director Eli Roth update the 1974 Charles Bronson vigilante wet dream (from Brian Garfield’s novel), relocating it to Chicago on the theory that the present murder rate there is roughly equivalent to New York in the ’70s. The result is a satisfying melodrama, bolstered by the supporting performances of Vincent D’Onofrio as Willis’ brother, Elisabeth Shue as the ill-fated wife, and Dean Norris and Kimberly Elise as police detectives. A sequel is inevitable, I guess (and not especially to be looked forward to), but at least this one shoots its way to a satisfying conclusion.
The foul and flightless Red Sparrow is the seventh feature film from former music video director Francis Lawrence, and the seventh unremarkably bad one to boot.
Published on 03.08.18
'Nostalgia' wins all the awards for good intentions, but the film rarely hits a note that isn’t false.
Published on 03.08.18
A provocative and reflective take on the apocalypse, with better-than-blockbuster special effects realized on a relatively low budget.
Published on 03.08.18
Chilean director Sebastián Leilo co-wrote and directed this dreamy and deliberate Oscar winner about Santiago songbird Marina (Daniela Vega), a transgender woman reeling from the unexpected death of her much-older boyfriend Orlando.
Published on 03.08.18
Running a tight 75 minutes, with an oblique yet ultimately airtight story structure, Have a Nice Day feels like a film created to screen in Quentin Tarantino’s extended cinematic universe.
Published on 03.01.18