Gary Oldman blubbers and bellows from under wads of makeup as Winston Churchill in this lifeless biopic by director Joe Wright (Atonement), portraying the embattled British prime minister during the tumultuous weeks between his 1940 appointment and the rescue mission at Dunkirk. Despite his abrasive nature and alcohol-soaked diet, Churchill was a compromise choice intended to unite Britain’s rival political parties against the Nazi threat, although his saber-rattling rhetoric quickly proved divisive. While Oldman chomps on the scenery in a sweat-stained awards grab, much of the action is filtered through his secretary (Lily James), whom Churchill treats with a borderline Weinstein-ian overfamiliarity (bad year to heroize handsy bosses in bathrobes). After Christopher Nolan’s Dunkirk and Their Finest, this is the third 2017 release to touch on the Dunkirk evacuation, although Darkest Hour stops short at Churchill’s “we shall fight on the beaches” speech, as if to underline its own pointlessness.
Great acting and Vittorio Storaro’s sun-splashed photography can’t compensate for writer/director Woody Allen’s tiresome return to his most distasteful theme: having inconvenient people murdered and getting away with it.
With a cast that includes Morgan Freeman, Tommy Lee Jones and Rene Russo, we might have expected more than the standard geezer-fest out to snag seniors’ spending money—but as it happens, we don’t even get that much.
Playing the title character, Denzel Washington simultaneously anchors and elevates this solid if obvious legal drama, showily disappearing into the title role of a sad-sack civil rights-era relic getting his first taste of temptation.