Brigsby Bear
A young man who was kidnapped from the hospital as a newborn (Kyle Mooney) is finally returned to his real family (Matt Walsh and Michaela Watkins as his parents, Ryan Simpkins as the sister who was born after he disappeared). Adjusting is naturally difficult, especially since he doesn’t know what happened next in the fake TV series his captors (Mark Hamill, Jane Adams) created to pacify him all those years. Written by Mooney and Kevin Costello, the basic premise is more than a little far-fetched and inadequately explained—but if you can get behind it, the movie’s rewards are many, and its unforced sweetness disarms all misgivings. Mooney is earnestly naïve and wholly loveable, and the story is refreshingly unpredictable; by the last scene the movie has earned the right to tug at your heartstrings. J.L.
The acting is good, but this wannabe black-comedy riff on the dangers of social media misfires.
Published on 08.31.17
Steve Armour’s script seems to presume that we’ve read the nonfiction book on which it is based, and that we can fill in all the holes.
Published on 08.31.17
A college grad (Callum Turner) slouches around lower Manhattan, scorning his privileged Park Avenue upbringing and wondering what to do with his life; when he learns that his father (Pierce Brosnan) has a mistress.
Published on 08.31.17
The film builds slowly, but writer/director Taylor Sheridan steadily ups the tension, finally allowing it to explode in an excellent final act.
Published on 08.24.17
One of the most visceral and exciting movie experiences of the year.
Published on 08.24.17