American Assassin
When his fiance is murdered in a terrorist strike, young Mitch Rapp (Dylan O’Brien) launches a one-man vendetta. This brings him to the attention of a CIA exec (Sanaa Lathan), who recruits him for training under a veteran cold warrior (Michael Keaton). Directed by Michael Cuesta and adapted by Stephen Schiff, Michael Finch, Edward Zwick and Marshall Herskovitz from the novels of Vince Flynn, the movie is an efficient intro to a new franchise, though it can’t avoid a sense that no matter how well it’s all done this time—the globe-hopping, the explosive set pieces, the we’re-not-so-different-you-and-I villain, the apocalyptic climax—we’ve seen it all before. Still, O’Brien has an acceptable (albeit modest) level of charisma, Keaton adds gritty gravitas, and Cuesta keeps it all clipping along. J.L.
The story moves with the predictable monotony of a Swiss clock that cuckoos every five minutes, and cheap jokes and wasted actors abound.
Published on 09.28.17
Peter Bratt directs this passionate but by-the-numbers documentary about Dolores Huerta, the labor leader who helped form the nation’s first farm workers union in the 1960s.
Published on 09.28.17
Jonathan Dayton and Valerie Faris (Little Miss Sunshine; Ruby Sparks) direct this cardboard biopic about the nationally televised tennis match between Billie Jean King and Bobby Riggs.
Published on 09.28.17
As usual with this kind of garbage, the only suspense comes from wondering who’ll get it next, and how.
Published on 09.28.17
This is about as self-contained as a movie can get, but it’s also a stupendously tense, disturbing and powerful piece of filmmaking, with Darren Aronofsky in full command even as the world seems to spin off its axis.
Published on 09.28.17